To the Reader

Folly and error, avarice and vice,
Employ our souls and waste our bodies' force.
As mangey beggars incubate their lice,
We nourish our innocuous remorse.

Our sins are stubborn, craven our repentance.
For our weak vows we ask excessive prices.
Trusting our tears will wash away the sentence,
We sneak off where the muddy road entices.

Cradled in evil, that Thrice-Great Magician,
The Devil, rocks our souls, that can't resist;
And the rich metal of our own volition
Is vaporised by that sage alchemist.

The Devil pulls the strings by which we're worked:
By all revolting objects lured, we slink
Hellwards; each day down one more step we're jerked
Feeling no horror, through the shades that stink.

Just as a lustful pauper bites and kisses
The scarred and shrivelled breast of an old whore,
We steal, along the roadside, furtive blisses,
Squeezing them, like stale oranges, for more.

Packed tight, like hives of maggots, thickly seething
Within our brains a host of demons surges.
Deep down into our lungs at every breathing,
Death flows, an unseen river, moaning dirges.

If rape or arson, poison, or the knife
Has wove no pleasing patterns in the stuff
Of this drab canvas we accept as life
It is because we are not bold enough!

Amongst the jackals, leopards, mongrels, apes,
Snakes, scorpions, vultures, that with hellish din,
Squeal, roar, writhe, gambol, crawl, with monstrous shapes,
In each man's foul menagerie of sin

There's one more damned than all. He never gambols,
Nor crawls, nor roars, but, from the rest withdrawn,
Gladly of this whole earth would make a shambles
And swallow up existence with a yawn...

Boredom! He smokes his hookah, while he dreams
Of gibbets, weeping tears he cannot smother.
You know this dainty monster, too, it seems
Hypocrite reader!  You! My twin!

 Roy Campbell, Poems of Baudelaire (New York: Pantheon Books, 1952)

Get drunk

Always be drunk.
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
Get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,
everything that groans
or rolls
or sings,
everything that speaks,
ask what time it is;
and the wind,
the wave,
the star,
the bird,
the clock
will answer you:
"Time to get drunk!
Don't be martyred slaves of Time,
Get drunk!
Stay drunk!
On wine, virtue, poetry, whatever!"

Charles Baudelaire

The Invitation to the Voyage

My sister, my child
imagine, exiled,
The sweetness, of being there, we two!
To live and to sigh,
to love and to die,
In the land that mirrors you!
The misted haze
of its clouded days
Has the same charm to my mind,
as mysterious,
as your traiterous
Eyes, behind glittering blinds.


There everything’s order and beauty,
calm, voluptuousness, and luxury.


The surface gleams
are polished it seems,
Through the years, to grace our room.
The rarest flowers
mix, with fragrant showers,
The vague, amber perfume.
The dark, painted halls,
the deep mirrored walls,
With Eastern splendour hung,
all secretly speak,
To the soul, its discrete,
Sweet, native tongue.

There, everything’s order and beauty,
calm, voluptuousness and luxury.

See, down the canals,
the sleeping vessels,
Those nomads, their white sails furled:
Now, to accomplish
your every wish,
They come from the ends of the world.
- The deep sunsets
surround the west,
The canals, the city, entire,
with blue-violet and gold;
And the Earth grows cold
In an incandescent fire.

There, everything’s order and beauty,
calm, voluptuousness and luxury.

Charles Baudelaire

Elevation

Above the ponds, beyond the valleys,
The woods, the mountains, the clouds, the seas,
Farther than the sun, the distant breeze,
The spheres that wilt to infinity

My spirit, you move with agility
And, like a good swimmer who swoons in the wave
You groove the depths immensity gave,
The inexpressible and male ecstasy.

From this miasma of waste,
You will be purified in superior air
And drink a pure and divine liqueur,
A clear fire to replace the limpid space

Behind this boredom and fatigue, this vast chagrin
Whose weight moves the mists of existence,
Happy is he who vigorously fans the senses
Toward serene and luminous fields—wincing!

The one whose thoughts are like skylarks taken wing
Across the heavens mornings in full flight
—Who hovers over life, understanding without effort
The language of flowers and mute things.

Charles Baudelaire
Translated by William A. Sigler

Spleen

I'm like the king of a rain-country, rich
but sterile, young but with an old wolf's itch,
one who escapes Fénelon's apologues,
and kills the day in boredom with his dogs;
nothing cheers him, darts, tennis, falconry,
his people dying by the balcony;
the bawdry of the pet hermaphrodite
no longer gets him through a single night;
his bed of fleur-de-lys becomes a tomb;
even the ladies of the court, for whom
all kings are beautiful, cannot put on
shameful enough dresses for this skeleton;
the scholar who makes his gold cannot invent
washes to cleanse the poisoned element;
even in baths of blood, Rome's legacy,
our tyrants' solace in senility,
we cannot warm up his shot corpse, whose food
is syrup-green Lethean ooze, not blood.

Charles Baudelaire

Horreur sympathique

De ce ciel bizarre et livide,
Tourmenté comme ton destin,
Quels pensers dans ton âme vide
Descendent? réponds, libertin.

— Insatiablement avide
De l'obscur et de l'incertain,
Je ne geindrai pas comme Ovide
Chassé du paradis latin.

Cieux déchirés comme des grèves
En vous se mire mon orgueil;
Vos vastes nuages en deuil

Sont les corbillards de mes rêves,
Et vos lueurs sont le reflet
De l'Enfer où mon coeur se plaît.

Charles Baudelaire


Sympathetic Horror

From that sky, bizarre and livid,
Distorted as your destiny,
What thoughts into your empty soul
Descend? Answer me, libertine.

— Insatiably avid
For the dark and the uncertain,
I shall not whimper like Ovid
Chased from his Latin paradise.

Skies torn like the shores of the sea,
You are the mirror of my pride;
Your vast clouds in mourning

Are the black hearses of my dreams,
And your gleams are the reflection
Of the Hell which delights my heart.

— Translated by William Aggeler

Anywhere Out of the World

This life is a hospital where every patient is possessed with the desire to change beds; one man would like to suffer in front of the stove, and another believes that he would recover his health beside the window.
It always seems to me that I should feel well in the place where I am not, and this question of removal is one which I discuss incessantly with my soul.
'Tell me, my soul, poor chilled soul, what do you think of going to live in Lisbon? It must be warm there, and there you would invigorate yourself like a lizard. This city is on the sea-shore; they say that it is built of marble and that the people there have such a hatred of vegetation that they uproot all the trees. There you have a landscape that corresponds to your taste! a landscape made of light and mineral, and liquid to reflect them!'
My soul does not reply.
'Since you are so fond of stillness, coupled with the show of movement, would you like to settle in Holland, that beatifying country? Perhaps you would find some diversion in that land whose image you have so often admired in the art galleries. What do you think of Rotterdam, you who love forests of masts, and ships moored at the foot of houses?'
My soul remains silent.
'Perhaps Batavia attracts you more? There we should find, amongst other things, the spirit of Europe married to tropical beauty.'
Not a word. Could my soul be dead?
'Is it then that you have reached such a degree of lethargy that you acquiesce in your sickness?
If so, let us flee to lands that are analogues of death. I see how it is, poor soul! We shall pack our trunks for Tornio. Let us go farther still to the extreme end of the Baltic; or farther still from life, if that is possible; let us settle at the Pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and increases monotony, that half-nothingness. There we shall be able to take long baths of darkness, while for our amusement the aurora borealis shall send us its rose-coloured rays that are like the reflection of Hell's own fireworks!'
At last my soul explodes, and wisely cries out to me:
'No matter where!
No matter where!
As long as it's out of the world!'

Charles Baudelaire

Crowds

It is not given to every man to take a bath of multitude; enjoying a crowd is an art; and only he can relish a debauch of vitality at the expense of the human species, on whom, in his cradle, a fairy has bestowed the love of masks and masquerading, the hate of home, and the passion for roaming.

Multitude, solitude: identical terms, and interchangeable by the active and fertile poet. The man who is unable to people his solitude is equally unable to be alone in a bustling crowd.

The poet enjoys the incomparable privilege of being able to be himself of someone else, as he chooses. Like those wandering souls who go looking for a body, he enters as he likes into each man's personality. For him alone everything is vacant; and if certain places seem closed to him, it is only because in his eyes they are not worth visiting.

The solitary and thoughtful stroller finds a singular intoxication in this universal communion. The man who loves to lose himself in a crowd enjoys feverish delights that the egoist locked up in himself as in a box, and the slothful man like a mollusk in his shell, will be eternally deprived of. He adopts as his own all the occupations, all the joys and all the sorrows that chance offers.

What men call love is a very small, restricted, feeble thing compared with this ineffable orgy, this divine prostitution of the soul giving itself entire, all it poetry and all its charity, to the unexpected as it comes along, to the stranger as he passes.

It is a good thing sometimes to teach the fortunate of this world, if only to humble for an instant their foolish pride, that there are higher joys than theirs, finer and more uncircumscribed. The founders of colonies, shepherds of peoples, missionary priests exiled to the ends of the earth, doubtlessly know something of this mysterious drunkenness; and in the midst of the vast family created by their genius, they must often laugh at those who pity them because of their troubled fortunes and chaste lives.

Charles Baudelaire

Spleen

I'm like some king in whose corrupted veins
Flows agèd blood; who rules a land of rains;
Who, young in years, is old in all distress;
Who flees good counsel to find weariness
Among his dogs and playthings, who is stirred
Neither by hunting-hound nor hunting-bird;
Whose weary face emotion moves no more
E'en when his people die before his door.
His favourite Jester's most fantastic wile
Upon that sick, cruel face can raise no smile;
The courtly dames, to whom all kings are good,
Can lighten this young skeleton's dull mood
No more with shameless toilets. In his gloom
Even his lilied bed becomes a tomb.
The sage who takes his gold essays in vain
To purge away the old corrupted strain,
His baths of blood, that in the days of old
The Romans used when their hot blood grew cold,
Will never warm this dead man's bloodless pains,
For green Lethean water fills his veins.

Charles Baudelaire

The Owls

Under the overhanging yews,
The dark owls sit in solemn state,
Like stranger gods; by twos and twos
Their red eyes gleam. They meditate.

Motionless thus they sit and dream
Until that melancholy hour
When, with the sun's last fading gleam,
The nightly shades assume their power.

From their still attitude the wise
Will learn with terror to despise
All tumult, movement, and unrest;

For he who follows every shade,
Carries the memory in his breast,
Of each unhappy journey made.

Charles Baudelaire

The sick Muse

Poor Muse, alas, what ails thee, then, to-day?
Thy hollow eyes with midnight visions burn,
Upon thy brow in alternation play,
Folly and Horror, cold and taciturn.

Have the green lemure and the goblin red,
Poured on thee love and terror from their urn?
Or with despotic hand the nightmare dread
Deep plunged thee in some fabulous Minturne?

Would that the breast where so deep thoughts arise,
Breathed forth a healthful perfume with thy sighs;
Would that thy Christian blood ran wave by wave

In rhythmic sounds the antique numbers gave,
When Phoebus shared his alternating reign
With mighty Pan, lord of the ripening grain.

Charles Baudelaire

Élévation

Au-dessus des étangs, au-dessus des vallées,
Des montagnes, des bois, des nuages, des mers,
Par delà le soleil, par delà les éthers,
Par delà les confins des sphères étoilées,

Mon esprit, tu te meus avec agilité,
Et, comme un bon nageur qui se pâme dans l'onde,
Tu sillonnes gaiement l'immensité profonde
Avec une indicible et mâle volupté.

Envole-toi bien loin de ces miasmes morbides;
Va te purifier dans l'air supérieur,
Et bois, comme une pure et divine liqueur,
Le feu clair qui remplit les espaces limpides.

Derrière les ennuis et les vastes chagrins
Qui chargent de leur poids l'existence brumeuse,
Heureux celui qui peut d'une aile vigoureuse
S'élancer vers les champs lumineux et sereins;

Celui dont les pensers, comme des alouettes,
Vers les cieux le matin prennent un libre essor,
– Qui plane sur la vie, et comprend sans effort
Le langage des fleurs et des choses muettes!


Hoch über den Teichen, hoch über den Tälern,
Den Bergen, den Wäldern, den Wolken und Meeren,
Weit hinter der Sonne, weit hinter dem Äther,
Weit hinter den Grenzen der Sternensphären,

Schwebst du, mein Geist, behände und leicht,
Wie'n guter Schwimmer den Wellenlauf meistert;
Von mannhafter Lust unaussprechlich begeistert,
Durchfliegst du erfreut die Unendlichkeit.

Erhebe dich weit über kranke Miasmen;
Flieg, dich in höchsten Gefilden zu läutern,
Und trinke, als puren Nektar der Götter,
Das reine Feuer des Raums der Phantasmen.

Jenseits des Kummers, von Sorgen erlöst,
Die schwer unser Dasein herniederzwingen,
Ist glücklich, wer da mit kräftigen Schwingen
Zu lichten und heiteren Fluren entschwebt!

Es flattern, wie Lerchen zum Morgenhimmel,
In freiem Flug all seine Gedanken, –
Er schwebt über'm Leben, begreift ohne Schranken
Die Sprache der Blumen, das Schweigen der Dinge!

(Charles Baudelaire 1821 - 1867)

Le Poison

Le vin sait revêtir le plus sordide bouge
D'un luxe miraculeux,
Et fait surgir plus d'un portique fabuleux
Dans l'or de sa vapeur rouge,
Comme un soleil couchant dans un ciel nébuleux.

L'opium agrandit ce qui n'a pas de bornes,
Allonge l'illimité,
Approfondit le temps, creuse la volupté,
Et de plaisirs noirs et mornes
Remplit l'âme au delà de sa capacité.

Tout cela ne vaut pas le poison qui découle
De tes yeux, de tes yeux verts,
Lacs où mon âme tremble et se voit à l'envers…
Mes songes viennent en foule
Pour se désaltérer à ces gouffres amers.

Tout cela ne vaut pas le terrible prodige
De ta salive qui mord,
Qui plonge dans l'oubli mon âme sans remord,
Et, charriant le vertige,
La roule défaillante aux rives de la mort!


Es kleidet der Wein in die herrlichste Pracht
Die billigsten Absteigen,
Und märchenhafte Säulen steigen
Im Rotgold seiner Dämpfe sacht,
Wie Sonnen sich im Abendnebel neigen.

Und alles Begrenzte das Opium sprengt,
Verlängert alle Weiten,
Es höhlt die Wollust aus, vertieft die Zeiten;
In düsterer, fast schwarzer Lust ertränkt
Es deine Seele immer mehr und weiter.

Das ist fast nichts, verglichen mit dem Gift
Aus deinen grünen Augen,
Den Seen, wo meine Seele sich verkehrt beschaute,
In Scharen kommen Träume angerückt,
Aus diesen bittren Tiefen Lust zu saugen.

Das ist fast nichts, verglichen mit den Schmerzen,
Wenn mich dein Speichel ätzt,
Der achtlos meine Seele ins Vergessen setzt,
Sie, bis zum Schwindel drehend,
Fast ohnmächtig zum Strand des Todes hetzt!

Charles Baudelaire

Causerie

Vous êtes un beau ciel d'automne, clair et rose!
Mais la tristesse en moi monte comme la mer,
Et laisse, en refluant, sur ma lèvre morose
Le souvenir cuisant de son limon amer.

– Ta main se glisse en vain sur mon sein qui se pâme;
Ce qu'elle cherche, amie, est un lieu saccagé
Par la griffe et la dent féroce de la femme.
Ne cherchez plus mon cœur; les bêtes l'ont mangé.

Mon cœur est un palais flétri par la cohue;
On s'y soûle, on s'y tue, on s'y prend aux cheveux!
– Un parfum nage autour de votre gorge nue!…

Ô Beauté, dur fléau des âmes, tu le veux!
Avec tes yeux de feu, brillants comme des fêtes,
Calcine ces lambeaux qu'ont épargnés les bêtes!


Ein Herbsthimmel bist du: schön, rosig und hell!
Doch in mir steigt die See der Traurigkeit
Und lässt auf meinen Lippen, wenn sie fällt,
Den Schlamm des Grams zurück, die Bitterkeit. –

Vergeblich streift dein Händchen die erstarrte Brust;
Das, was du suchst, Liebchen, längst ist's zerrissen
Durch die Krallen und grausamen Zähne der Lust.
Das Herz, das du suchst, haben Bestien gerissen.

Ein Palast ist mein Herz, den die Massen befleckten,
Man besäuft sich, erschlägt sich, kriegt sich in die Haare! –
Wie duftet dein Busen, dein bloßer, erregend! …

O Schöne, Seelenqual, du willst mir's nicht ersparen!
Mit feurigen Augen – wie strahlen sie festlich –
Verbrenne, was Bestien verschonten, die Reste!


Charles Baudelaire

La Musique

La musique souvent me prend comme une mer!
Vers ma pâle étoile,
Sous un plafond de brume ou dans un vaste éther.
Je mets à la voile;

La poitrine en avant et les poumons gonflés
Comme de la toile.
J'escalade le dos des flots amoncelés
Que la nuit me voile;

Je sens vibrer en moi toutes les passions
D'un vaisseau qui souffre;
Le bon vent, la tempête et ses convulsions

Sur l'immense gouffre
Me bercent. D'autres fois, calme plat, grand miroir
De mon désespoir!


Oft schwemmt die Musik mich hinweg wie ein Meer!
Durch dichten Nebel
Zum blassen Gestirn im Äther weit fern
Setz ich die Segel;

Die Brust rausgestreckt und die Lungen gebläht
Wie Leinwand im Wind,
Erklimm ich die Berge der Wellen und sehe –
Von Nacht nicht mehr blind;

Ich fühle mich ganz wie ein leidendes Schiff,
Das schwankend sich quält;
Von Brisen getrieben, von Stürmen ergriffen

Im Abgrund, der gellt,
Wiegt es mich … – Bis Wasserspiegel windstill zeigt
Meine Hoffnungslosigkeit!


Charles Baudelaire

Le Possédé

Le soleil s'est couvert d'un crêpe. Comme lui,
Ô Lune de ma vie! emmitoufle-toi d'ombre;
Dors ou fume à ton gré; sois muette, sois sombre,
Et plonge tout entière au gouffre de l'Ennui;

Je t'aime ainsi! Pourtant, si tu veux aujourd'hui,
Comme un astre éclipsé qui sort de la pénombre,
Te pavaner aux lieux que la Folie encombre,
C'est bien! Charmant poignard, jaillis de ton étui!

Allume ta prunelle à la flamme des lustres!
Allume le désir dans les regards des rustres!
Tout de toi m'est plaisir, morbide ou pétulant;

Sois ce que tu voudras, nuit noire, rouge aurore;
II n'est pas une fibre en tout mon corps tremblant
Qui ne crie: Ô mon cher Belzébuth, je t'adore!


Die Sonne bedeckte sich mit einem Crêpe.
Wie sie hüll dich, Mond meines Lebens, ins Dunkel;
Schlafe und rauche, sei düster, verstumme,
Tauch in den Abgrund der Schwermut hinweg.

So liebe ich dich! Doch möchtest du heute,
Verfinsterter Stern, aus dem Halbschatten treten,
Dort schreiten, wo Narren sich drängen und zetern,
Dann gut! Spring, reizender Dolch, aus der Scheide!

Entzünde dein Aug an den flammenden Lüstern!
Die Blicke der Tölpel, sie machen dich lüstern!
Stets machst du mir Freude, ob wild oder krank;

Sei, was du willst: Morgenrot, schwarze Nacht;
Mein ganzer Leib zittert, jede Faser erwacht,
Ruft: Beelzebub, Liebster, ich bete dich an!


Charles Baudelaire

Sépulture

Si par une nuit lourde e sombre
Un bon chrétien, par charité,
Derrière quelque vieux décombre
Enterre votre corps vanté,

À l'heure où les chastes étoiles
Ferment leurs yeux appesantis,
L'araignée y fera ses toiles,
Et la vipère ses petits;

Vous entendrez toute l'année
Sur votre tête condamnée
Les cris lamentable des loups

Et des sorciéres faméliques,
Les ébats des vieillards lubriques
Et les complots des noirs filous.

Aus Mitleid wird ein guter Christ,
Dort, wo sie alten Schutt hin karren,
Deinen stolzen Leib verscharren,
Wenn schwer die Nacht und finster ist,

Zur Stunde, wenn zum Sterben müd',
Die Augen schließen keusche Sterne,
Die Vipern ihre Jungen werfen,
Die Spinne ihre Netze knüpft;

Ein ganzes Jahr lang wirst du noch
Bei deinem gottverfluchten Kopf
Trauriges Wolfsgeheule hören,

Wie spindeldürre Hexen wimmernd
Sich um geile Greise kümmern
Und finstre Schurken sich verschwören.

Charles Baudelaire